MARGARET
ATWOOD & Cultural Values by Maureen McIntyre
"It seems to me that Canadian sensibility has been profoundly disturbed,
not so much by our famous problem of identity, important as that is, as
by a series of paradoxes in what confronts that identity. It is less
perplexed by the question "Who am I" than by some such riddle as "Where
is here?"
- Northrope Frye, the Bush Garden
As this century comes to a close, we are reminded of the famous prophecy
by Laurier that "the 20th century will belong to Canada." Almost a
a half century later another Canadian, Harold Innis, had the same conviction,
that Canada would be the only country in North America to maintain a stable
society and become a bastion for the survival of western civilization.
Two decades later, another University of Toronto graduate, viewing Canada
from her graduate years at Harvard, picked up the theme of Canadian
culture and the necessity of survival of human values in a technology-driven environment.
In the early 1950's when Harold Innis had published his thesis on
communication--The Bias of Communication--culminating his short but brilliant
career, Margaret Atwood was a teenager attending school in a suburb of
Toronto. She describes Canadian high schools as still schools of
the Empire. History consisted of the ancient cultures of Greece,
Rome and Egypt, medieval Europe, the Kings of England, and if you were
lucky to get to grade 13, Canadian history. Study centered on different
regions of Canada, with no discussion on possible problems such as the
discontent of the French speaking people or the abysmal treatment of the
Indians in forced land settlements. Literature was British and French
taught with a Parisian accent. Students accepted this, thinking real
history and real literature were made abroad.
Margaret Atwood loved
reading Canadian authors since she related so readily to the characters and
situations. She could never understand why Canadian literature was
always tucked on a back shelf of a bookstore under the title "Canadiana".
While in high school, encouraged by her English teacher, she decided to
become a writer. She stunned her fellow students when she announced
her intentions. Years later she found they weren't astounded by her
ambition but the fact that she had the "guts" to say it out loud. Her
parents were dismayed as they had suffered through the depression and felt
she should get a proper job; but her teacher suggested she attend Victoria
College at U. of T. because of a professor who taught Milton there, Northrope
Frye.
Instead of going to England after her B.A.--the accepted pattern
of further studies abroad--she won a scholarship to Harvard.
At Harvard she was asked to fill in her gaps: she had not studied American
literature. There, she found herself reading excerpts from Puritan
sermons and political treaties written af the time of the American Revolution.
No one pretended it was great literature but it was necessary for understanding
the United States of America. Here she was at a world-renowned university,
studying second rate literature which they deemed important for understanding
their culture. She wondered why Canadian literature in Toronto
was dismissed as second-rate and not worth studying?
Margaret decided to return to Canada after completing her studies
at Harvard. Unknown to her, other members of her generation
were beginning to do the same thing, deciding not to become part of the
"brain drain" but something unheard of, returning to Canada and setting
up publishing in Canada for a Canadian audience. Between 1965 - 1970 these
writers established their own Canadian publishing house. They found
the existing publishing houses were too conservative in their views or
were American branch plants and unwilling to publish anything too
controversial or nationalist. The House of Anasi Publishing Co. was established
and enjoyed unanticipated success. They discovered that Canadians
were ignorant of their own history and literature and were eager to read
Canadian authors. Authors, they reasoned, are ones who best
transmit their own culture.
The absence of a Canadian identity was a chic topic of conversation.
This irritated Margaret Atwood who claimed Canadians had been too busy
listening to their neighbours (who can be rather loud), and had neglected
to look at their own culture. The United States has always been a
destination for many Canadians, but the Americans are too indifferent to
bother giving us an image of ourselves.
Survival, a book on Canadian literature conceived during Atwood's
years at Harvard was published in 1972. It received a lot of criticism,
but maybe that was because it had never been done. As she so aptly stated,
"[E]veryone surely, should agree that the literature produced by a society
has some connection with that society, and so it follows one can get a
feeling of that society." 2 The theme is survivalist.
The plot abounds with victims, not very heroic victims but the triumph
was just surviving. What brought the greatest criticism was her statement
that "Canada was a cultural colony and an economic one as well." 3
The criticism came from both the conservative right, the ultra left and
the ethnic center. Any student of economics would agree she was only
stating the recurrent theme of the work done by Harold Innis on the fur trade
and the cod fisheries. Canada was explored and developed by England
and western Europe and she was economically dependent on these countries
for markets, political power and military assistance. Innis' concepts
were contrary to the beliefs held in the 1930's. The theme of survival was not very popular,
not like the romantic American ideal of conquering a new frontier.
Despite all the criticism, ordinary Canadians bought the book. She
received many letters, some saying they had never realized they had a culture,
and exiled Americans exclaiming they hadn't realized how different we are.
Canadian - American Relations
In the early 80's Canada established the National Energy Policy.
Our oil policy was not popular with the States which didn't think their
own nationalism was out of the ordinary. (But then they don't like other
countries establishing their own nationalism. ) Now it appears that
national governments will have to move over and let international big business
run our country. With satellite communications, how can government
control what will be said or seen in a few decades? There
will be an expansion outward by whomever controls technology and we know
who is to the south of us.
But Atwood still maintains there may be two Americas--the one of Thoreau
and Lincoln, who gave voice to human dignity and human values and democratic
ideals, and who would oppose these expansionists seeking more power. She
continues with her hope that there are also two Canadas: a Canada that
is more concerned with human values and customs than corporate power.
"...[I]t is only the mind that is capable of envisioning what is desirable
and what is not... [P]ower corrupts, but it has never managed to corrupt
everybody." 3 She concludes by reminding us that Canadians
and Americans are not the same since we are the result of two very distinct
and different histories; but we are all on this rapidly shrinking earth,
and we have values beyond national ones.
Sources:
1. Atwood, Margaret, "Survival" -
Thematic Guide to Canadian Literature. Toronto. House of Anansi Press
Ltd. 1972.
2. Atwood, Margaret. "Second Words"
Selected critical prose. House of Anansi Press Ltd., Toronto.
1982.
3. IBID, p. 392
E-mail me at
mcintyrm@mala.bc.ca
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