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Reading Kroker: a hermeneutic analysis
by Ian Robbins
David R. Olson, in his investigation of the conceptual and cognitive
implications of writing and reading known as The World on Paper,
postulates that reading is a matter of recovering authorial intention.
There are two questions a reader needs to answer, in order to understand
a text: 1) what is the author talking about, and 2) what does the author
mean by that?
Experience suggests that reading and thinking are concurrent processes.
Literate thinking, Olson says, involves understanding the role of
evidence in the assignment of illocutionary force to expressed
propositions. We need to become aware of the alternate ways in which
statements can be taken. This definition is a restatement of his
definition of critical reading, which is stated as "the recognition that
a text could be taken in more than one way and then deriving the
implications suitable to each of those ways of taking and testing those
implications against available evidence."
In light of Olson's encouraging, if implicit, arguments in favor of
critical reading and literate thinking, I've decided to examine a few
passages from an essay by Arthur Kroker. Kroker's essay, titled "The
Theory of the Virtual Class" (which is the first chapter of his book,
Data Trash: The Theory of the Virtual Class, published in New York by
St. Martin's Press), purports to offer a theory of a postulated group of
people who participate in electronic media, such as the Internet, and
carried on other electronic channels.
[Extracts from Kroker's essay are set in bold type.]
The twentieth-century ends with the growth of cyber-authoritarianism, a
stridently pro-technotopia movement, particularly in the mass media,
typified by an obsession to the point of hysteria with emergent
technologies, and with a consistent and very deliberate attempt to
shutdown, silence, and exclude any perspectives critical of technotopia.
What Kroker seems to be saying here-when you eliminate the hyperbole-is
that mass media have carried a lot of stories about new forms of
technology, and that the stories have generally been positive; that is,
they have carried a positive publicity value, in addition to any
informational content on the nature and purpose of the technology.
The hysterical, I'm-a-victim-and-so-are-you tone, seems a disingenuous
attempt to draw the reader into a conspiracy of Kroker's own making. He
undoubtedly realizes that participants in a conspiracy are not likely to
critically evaluate their own leader, who they will, instead, tend to
worship. And Kroker is the leader of this conspiracy, knowingly
gathering around him a cadre of willing fellows.
The paranoid conspiracy and victimology is found in his claim of a
consistent and "very" deliberate attempt to shut down, silence, and
exclude any perspectives critical of technotopia. There is really no
need, for instance, to say the deliberate attempt is a very deliberate
attempt. Either it is deliberate or it is not deliberate. Why, then, say
it's "very deliberate?" It's a rhetorical device, verging on a poetry,
which is sometimes delightful to encounter in an academic paper, but in
this case it is used to add a huffiness to his voice, which carries with
it the force of ad hominem outrage against an un-named, scapegoated
agency, upon whom Kroker seeks to dispense his vituperation.
The single word "silence" is actually sufficient to carry the basic
intention of his claim; the other words, "shutdown," and "exclude," only
serve to carry the rhythm of his prose, and to hint at the
self-possessed angst-ridden state of mind in which these words are
seemingly created.
Not a wired culture, but a virtual culture that is wired shut:
compulsively fixated on digital technology as a source of salvation from
the reality of a lonely culture and radical social disconnection from
everyday life, and determined to exclude from public debate any
perspective that is not a cheerleader for the coming-to-be of the fully
realized technological society.
In this sentence, Kroker seems to change his focus from mass media to
virtual culture. Lacking an explicit definition of virtual culture, we
may probably assume that there is some overlap of mass media and those
aspects of the dominant culture that express themselves on the Internet,
or in computer-readable forms, like CD-ROMs.
Public debate may or may not be limited by participants in the virtual
culture. We would never be able to say, one way or the other, on the
strength of Kroker's sentence. Saying something is so doesn't always
make it so, particularly when what is being said is a very comprehensive
generalization, such as the one Kroker presents, which states that a
culture, virtual or otherwise, is determining to exclude from public
debate "any perspective" that isn't a particular perspective. I spent a
few minutes using the Alta Vista search engine to look for places on the
web that offered critiques of new technology, and I found quite a few
(approximately 80,000). Some were more hard-nosed than others, but even
so, I'm hesitant to believe Kroker's claim.
The virtual class is populated by would-be astronauts who never got the
chance to go to the moon, and they do not easily accept criticism of
this new Apollo project for the body telematic
This sentence seems laden with hostile intention, connotating a view of
people who use new forms of technology as pathetic losers; people who
were rejected by the system they worship (the American space program)
but who were, and remain, too infatuated with that system to care that
they've been spurned. If Kroker had critically evaluated the word
"astronaut", exploring the implications of that term, and if he had
answered the questions: what does the astronaut represent to people
within the space program? to people outside of the space program? to
people in North America? to people in Western civilization? to all of
mankind? what aspect of the astronaut is common to all of these people?;
would he have found a positive value in the word "astronaut"?
The use of the word astronaut bears some examination. Given the
existence of a virtual class, and given that the members of this class
never got to go to the moon, given that they wanted to be astronauts...so
what? Is there something wrong, incorrect, about wanting to be an
astronaut? Politically incorrect, perhaps, from a political stance of a
person who feels oppressed. But what is wrong with striving to get to
the moon? What is wrong with believing, as many still believe, that
exploring the moon is a worthwhile ambition? Kroker doesn't say. We
might propose, given the general tenor of his work, that he rejects the
totalitarian, hierarchical organizations people use to build space
exploration systems. The use of military systems may repulse him, as it
does many people, because of it utilitarian justification for violence
and a lack of respect for persons.
It is true that few people actually stepped on the moon. Does this mean,
as Kroker seems to suggest, that something is wrong with that? Emerson
wrote: "The heart and soul of all men being one, this bitterness of his
and mine ceases....It is the eternal nature of the soul to appropriate and
make all things its own. Jesus and Shakespeare are fragments of the
soul, and by love I conquer and incorporate them into my own conscious
domain. His virtue-is not that mine? His wit--if it cannot be made mine,
it is not wit." One feels a desire to propose that we all benefited
from those few men actually stepping on the moon.
This is unfortunate since it is less a matter of being pro- or
antitechnology, but of developing a critical perspective on the ethics
of virtuality.
This is the sneakiest, most disingenuous statement in the first part of
Kroker's essay. In it, Kroker adopts a "high road" moralistic stance
that declares: he really doesn't mind all of the pro-technology hype
around him; he just wants people to be able to read a critical
perspective on the ethics of virtuality.
Paraphrasing Kroker we find a statement like: It's too bad that we're
surrounded by so much pro-technology and sales hype because it obscures
important issues beneath our use of this technology. Because, honestly,
folks, there is value in technology, assuming it is put to good use. All
I really want is for people to be able to discuss whether or not the new
technologies are, in fact, being put to good use.
I've read this kind of statement in Ursula Franklin, too. It's a
disarming statement; and intended to disarm. To suggest to the reader
that the author isn't some anti-technology crank. Just a reasonable
person, trying to understand what's going on in a confusing environment.
It has a placating, calming effect on the critical intelligence.
In Franklin's CBC Massey Lecture series, for instance, she began by
saying "In the past, I have often spoken about the social impact of
technology in terms of apprehension and foreboding, but this is not my
purpose here. My interest is in contributing to clarity."
But the predominant effect of her lectures is precisely to
contribute to a sense of apprehension and foreboding about technology,
and the clarity she is interested in sparkles only within a miasma of
reluctant qualifiers.
In the case of Franklin, we are confronted with anecdote and principle
after anecdote and principle declaiming many forms of technology. The
sought-for critical perspective on the ethics of virtuality is actually
within the texts and examples that Kroker (and Franklin) examine and
find lacking. But it isn't a perspective they agree with, so they
discount it; pretend it isn't there, or misrepresent it. Having built
straw men and having knocked them down, these authors then take centre
stage as moral authorities. All the while humbly protesting that they
are only offering suggestions for consideration.
Franklin, for instance, refers to a prediction of the future of Canada,
made by a vice-president of the National Research Council. The
vice-president (whom she does not name) wrote an essay titled "Canada:
Plenty of Room for People," in which he allegedly stated that he saw, in
the future, "a Canada of at least 35 million people, exporting wheat,
pulp and paper, iron ore, nickel, and many other metals." At the same
time, Franklin states, this vice-president said (in the future) Canada's
manufacturing industries would be thriving. "His prediction also foresaw
a great future for educational television." His optimistic and
technologically-oriented vision of the future continues, in Franklin's
book, and after listing his table, she states: "What is so striking in
this and many similar comments is the lack of appreciation of the
political dynamics of technology....The economic underdevelopment was
perceived by the scholars; the reality of moral underdevelopment was
rarely mentioned."
But the moral and political dimensions on which technology may be
measured are plainly seen in the intention of the vice-president, given
an understanding of that person's social, economic and political
context. One part of the role of a vice-president of a national research
council, an organization dedicated to distributing tax money to
researchers, is to convince the tax-paying public that their
contributions will make their world a better place to live in. And "a
better place" for most Canadians is a place where products, made in
Canada, are being sold, being exported; in which stable manufacturing
jobs are allowing people to make things, and feel that they're
contributing to the quality of life, as well as to pay their bills, feed
their children, look after their parents, and so on.
It is not unethical for people to expect a return on their investment.
Moral substance, in the vice-president's statement, may be found in his
recognition, that statements made by leaders often become prophecies
fulfilled by the people who follow. Like that unnamed vice-president, I
believe the Canadian middle-class life is a good one, and worth
defending.
We all need things to believe in. Let us state plainly what it is that
we value, rather than deconstructing straw men, and leaving no worthy
alternatives in place.
When technology mutates into virtuality, the direction of political
debate becomes clarified.
Although his intentions seem sometimes obscure, and sometimes deceptive,
at other times Kroker's style is poetic. There's a joy of the sound of
language, which is well represented in the preceding sentence. The
meaning is unclear, but it sounds good.
In the case of this sentence, the meaning is unclear because virtual and
actual aspects of technology are irrelevant to technology's basic
nature; to it's definition. The fundamental nature of technology lies in
it's processes, not it's form, and changing forms of technology don't
necessarily have an influence on political debate, or anything else.
Changing technologies do have profound effects. I recognize their
effects, along with many others. But what is technology? Is it the shape
of the box an invention comes in? Or is it the action and interaction
between the invention and the person involved with the invention?
In any case, none of the important words in that sentence have been
defined, although we may infer from the first clause that Kroker doesn't
share the same definition of technology as we do. "Technology,"
"mutation," "virtuality," "direction," "political debate," and "clarified"
all need to be made plain before we can derive his intention; before we
can know what he meant.
Standing back from the sentence, however, and seeing in as an object
within a larger frame, we may read it as a Zen koan; something to stare
at, to ponder, to wonder at, until our mind, in exhaustion perhaps,
relaxes it's attempt to find logical consistency, and sees the entire
essay (to that point) as an attempt to bring into awareness Kroker
himself, the author, who is writing sentences like those for the purpose
of allowing us to reflect on the freedom we have in language to be
logical or illogical.
If we cannot escape the hardwiring of (our) bodies into wireless
culture, then how can we inscribe primary ethical concerns onto the will
to virtuality?
Examining this sentence from Olson's perspective, we ask: what is Kroker
talking about, hardwiring our bodies into wireless culture? What is he
talking about, inscribing primary ethical concerns onto the will to
virtuality?
The first phrase offers few clues as to it's meaning. But sharing, as we
do, a mainstream culture with Kroker, we can make a few attempts to
reading it. Hardwiring normally refers to the establishing of physical
connection among computers. The Merriam Webster Dictionary defines
hardwiring as: "Of, relating to, or implemented through logic circuitry
permanently connected within a computer or calculator and therefore not
subject to change by programming, and, Directly connected by electrical
wires or cables." Our organic nature does not yet allow our bodies to be
hardwired in the strict sense of the word.
Perhaps we should take this sentence metaphorically. Reading the
statement as a metaphor, we could see it as a way of describing the way
many of us buy computers, plug them into the telephone system, and
participate in Internet technologies. In this context we infer that
Kroker is seeing our electronic media as extensions of our bodies. We
plug our bodies into our electronic media (hardwiring ourselves) which
tie further into the culture that uses the various Internet protocols as
their primary medium (his "wireless culture"). Like the moviegoers who
watched the black bar in Kubrick's film 2001, and who observed Hal, the
personality residing within the computer on the space ship in that film,
we confront, in this sentence of Kroker's, the possibility of a person,
participating in a culture, who may or may not be acting ethically.
But as the second phrase in the sentence suggests, the central problem
is whether people will act ethically, in whatever medium they are
participating. Kroker seems to suggests that something in the nature of
computer mediated communication presents unique ethical dilemmas. This
is a claim he does not substantiate. It may be true, but then, it may
also be the case that, as the writer of Ecclesiastes put it, "The thing
that hath been, it is that which shall be; and that which is done is
that which shall be done: and there is no new thing under the sun."
The question of whether we can escape the hardwiring of our bodies into
the wireless culture is an interesting one. One wonders why we could not
escape it. One manages to escape various other aspects of our culture,
and subcultures, such as country music, rap, the culture of wealth,
military culture, and so on. It's partly a matter of not answering the
telephone; of looking the other way, and of generally learning to say
"No."
But then Kroker might counter with the claim that the virtual culture
has somehow pervaded the reader without the reader being aware of that
pervasion. That the consciousness of the reader has been changed by
forces he has chosen to ignore. This type of argument makes good
fiction, and poor science. The onus would be on Kroker to adduce
evidence in support of this claim, if it is a claim he would advance.
How can we turn the virtual horizon in the direction of substantive
human values: aesthetic creativity, social solidarity, democratic
discourse, and economic justice?
This is an age old question, applied to a several new media (the World
Wide Web, mail protocols, file transfer protocols, etcetera) which we
draw into the phrase "virtual horizon". The use of the horizon metaphor
brings the sense of a distant location, always receding, yet delightful
to look at; in that respect it is well chosen. But one cannot turn a
horizon. Still, we imagine that Kroker is asking how we can remain
ethical beings while using new media.
The answers may be found in many sources, from old religious texts to
the latest scientific discourse on cooperative behavior. Kroker asks the
question rhetorically, in order to spend the next several sentences
complaining that we can't answer it as long as we've invested heavily in
the idea of becoming users of that electronic media. Therefore it seems
fitting to find one answer to his question firmly grounded within a
virtual domain, a domain more virtual, even, than the World Wide Web,
our example being an entirely closed system that contains simulated
organisms.
Robert Axelrod is a political scientist who, in the 1980s, worked with a
few computer scientists and a biologist to use artificial life to better
understand how cooperation evolved "among egoists without central
authority" (In Levy's Artificial Life, 1992). In a genetic algorithm
environment where simulated chromosomes of 70 genes stood for the
egoists without a central authority, Axelrod discovered that a
successful program called "modified TIT FOR TAT" prevailed and sustained
itself in the face of a challenging environment.
In the non-zero sum world of the simulated chromosomes, those
chromosomes who were eager to manipulate their relationship with other
chromosomes into mutual cooperation prevailed to a greater extent. The
chromosomes behaved in this way: they initially began an encounter with
a new chromosome by being not cooperative in some way. This was a clever
ploy for quickly determining the opponent's strategy, so the initial
chromosome could immediately know whether an ideal series of
transactions could ensue (with both sides cooperating to mutual
benefit). If the opponent responded by cooperating, then both sides
would mutually cooperate. If the opponent responded by not cooperating
(known as "defecting", in the parlance of this world), then the
chromosome hadn't suffered the initial blow that an initially nice
chromosome would have weathered on meeting a mean opponent.
If this style of behavior was as common in our world as it was in
Axelrod's virtual world, the best response would be to observe the
Christian invocation to turn the other cheek.
To link the relentless drive to cyberspace with ethical concerns is, of
course, to give the lie to technological liberalism.
To insist, that is, that the coming-to-be of the will to virtuality, and
with it the emergence of our doubled fate as either body dumps or
hyper-texted bodies, virtualizers or data trash, does not relax the
traditional human injunction to give primacy to the ethical ends of the
technological purposes we choose (or the will to virtuality that chooses
us).
Privileging the question of ethics via virtuality lays bare the impulse
to nihilism that is central to the virtual class.
Those three sentences really only make sense when taken together.
Re-writing Kroker's text, to remove the symbolism and the hyperbole,
leaves the following: If you're considering the implications of building
of a new medium, and you're wondering if the people who are going to use
that new medium will behave ethically...well, they won't.
But my paraphrase has altered something, for Kroker doesn't place the
locus of ethical control within the individual, as I do. He examines the
social movement; the swarm of individuals, as if seen from the
perspective of a person standing by a window in a skyscraper, looking
down at the people in the street. And from his lofty perspective, he
sees nihilistic tendencies in the people who are using electronic media.
The word "nihilism" is used in different ways, and Kroker doesn't make
clear which way he is using the word. But it's probably either in the
sense of a negative doctrine or total rejection of current beliefs in
religion or morals, often involving a general sense of despair coupled
with the belief that life is devoid of meaning.
There are four concepts in the second sentence that are intriguing:
"Body dumps," "hyper-texted bodies," "virtualizers," and "data trash."
What Kroker means by these terms is likely pointed to by the overall
cynical, dark tone of the essay, reminiscent of many dystopic science
fiction films, from Blade Runner to The Ghost in the Shell. Body dumps
may refer to cyborg-like bodies that act as the repository for
information, knowledge, and memory. It's an objectification of the body
that conceives of the brain as a kind of secondary storage mechanism in
the service of other people or agencies who act on the "body dump" via
new communication media. "Hyper-texted bodies," could be the flip side
of that mind-body diagram, with far-flung systems housing the
personalities formerly located within the human form.
"Virtualizers," sounds very like programmers, systems designers, and
other computer science professionals: people who make their living
constructing the domains which house applications that people use. And
"Data trash" sounds like "poor white trash," which refers to
economically disadvantaged and marginalized people; in Kroker's scheme
these are probably those computer users with little power and lots of
resentment; probably young; potential grist for his conspiracy mill.
For it, the drive to planetary mastery represented by the will to
virtuality relegates the ethical suasion to the electronic trashbin.
There is an assumption within this text: one cannot master the planet
and act ethically. It comes from a vision of the world that seems to see
planetary mastery as different from other forms of mastery, for surely
one can be a master of something, and still an ethical being. Otherwise,
Kroker would be arguing against mastery per se, be it the mastery of a
planet or the mastery of the nipple by an infant, suckling on the
breast. Is there any real difference between mastering a planet and
mastering one's garden, one's home, or one's own body? Or is the
difference in scale only an apparent difference? All four systems have
this in common: they're comprised of parts that may act individually.
Perhaps Kroker is arguing against the notion that an individual should
master anything. An ironic contradiction seen in view of his essay,
which reveals a mastery of language.
As for the phrase "will to virtuality": how is the will to create a
virtual environment any different, and more relevant to his argument
than the will to create a garden environment in a flowerpot?
It brings to mind an precept offered some years ago by Ludwig von
Bertalanffy: Man is not only a political animal; he is, before and
above all, an individual. The real values of humanity are not those
which it shares with biological entities, the function of an organism
or a community of animals, but those which stem from the individual
mind. Human society is not a community of ants or termites, governed by
inherited instinct and controlled by the laws of the superordinate
whole; it is based upon the achievements of the individual and is doomed
if the individual is made a cog in the social machine. This, I believe,
is the ultimate precept a theory of organization can give: not a manual
for dictators of any denomination more efficiently to subjugate human
beings by the scientific application of Iron Laws, but a warning that
the Leviathan of organization must not swallow the individual without
sealing its own inevitable doom.
When we lose sight of the individual, we lose sight of ethics.
References:
Borges, Jorge Luis. (1962). Labyrinths. New York: New Directions.
Emerson, Ralph Waldo. (1926). Essays. New York: Harper & Row.
Franklin, Ursula. (1990). The Real World of Technology. Montreal: CBC Enterprises.
Levy, Steven. (1992). Artificial Life: A report from the frontier where computers meet biology.. New York: Vintage Books.
Olson, David R. (1994). The World on Paper: The Conceptual and Cognitive Implications of Writing and Reading. Cambridge, Great Britain: Cambridge University Press.
Von Bertalanffy, Ludwig. (1968). General System Theory: Foundations, Development, Applications. New York: George Brazillier.
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