Japanese Forest Farms
Assembled by David Sulz
Historical / Cultural Significance
The driving force behind Forest Farm is Tadashi Yano, a graphic designer
living in Sendai, Japan. What started as normal childhood collecting,
turned into an adult hobby which he later incorporated into his advertising
copy. Since the first postcard book was published in 1993, the art form
has caught on in Japan with contract workshops, three more postcard books,
and two large books already published (several more are on the way).
Principles and Elements of Design
Unlike Chinese and other Asian art which is often colorful and intricate,
the Japanese ideal is simplicity and harmony with nature. In western art
terms, the strongest elements are texture and form. The texture of the natural
materials can be enhanced by human intervention but must not be hidden by
it. Likewise, the artist respects the organic forms that nature provides and
avoids creating mechanical form from organic nature.
Line and color are also important - both are inherent to nature but the artist
can use them to enhance images that were vaguely suggested by the original
object.
Fundamentals
There are three tenants to Forest Farm philosophy: connections with nature,
self-reliance, and cooperation. Creating with natural materials causes people to
pay attention to, and take care of, their immediate surroundings. Using tools
such as saws, scissors, paints, and glues encourages self-reliance. Gathering
materials and making projects with friends or family encuraged cooperation and
sharing of ideas.
Techniques and Methodology
Materials
Leaves, rocks, wood pieces are arranged and fastened
with white glue, white paint, black marker, scissors, pushpins, and/or magnets.
Integration
Science and the environment: nature walks with a focus on respecting the
natural beauty of your environment.
For more Japanese art ideas you can link to...
Japanese Ink Paintings
Japanese Fish Banners
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